公开提示词
[Two Geckos' Escape Meeting — 3D Animation | Circus Backstage | About 20 Seconds]
[Logline] The opening uses an establishing shot to show 'this is the circus backstage', then two geckos (one chubby, one tiny) discuss escape strategies, have a brief argument, and finally reach an agreement; amplified backstage ambient noise is primary, with background music almost always present, intensifying at key emotional points.
[Character Reference (Appearance 100% consistent, no drift throughout)]
——Chubby: A plump, round-bodied gecko with a rotund belly, short thick limbs, skin with warm brown spotted matte scale texture, a thick short tail storing fat making it look pudgy, wide toe pads, puffy cheeks, large round eyes, a simple expression, and slightly slow movements; personality is cautious, timid, loves to eat, but can muster courage and think of solutions at critical moments.
——Tiny: A petite juvenile gecko, eyes large and bright almost filling its small head, skin with light yellow-green fresh scale color and fine spots, tail thin and flexible, toe tips can adhere for climbing, movements are agile and jumpy; personality is impatient, impulsive, fearless, and the one who proposes the escape.
[Voice Reference (Fixed voice per character)]
Chubby: Low, simple, middle-aged male voice, slightly slow speech, with a timid tremble. Reference [Audio 1].
Tiny: High, fast, youthful voice, sharp and impulsive, voice cracks when emotions run high. Reference [Audio 2].
[Ambient Sound Reference]
——Ambience: A layer of circus backstage ambient noise (distant tent clamor, faint animal sounds, canvas flapping in wind, wooden frame creaking, distant human voices with reverb, etc.) runs throughout as the scene's atmospheric base; ambient sound volume is overall amplified, most prominent in the opening establishing shot, serving as the main sound field of the entire piece; ambient sound reference [Audio 3].
[Background Music Reference]
——Accent: A piece of background music (playfully suspenseful, light with a touch of tension), almost always present as a base, appearing for a long duration, gently fades in from the opening establishing shot, volume intensifies at the proposal, argument climax, and ending freeze-frame; only briefly lowered during dense dialogue to make way for lines, but never completely disappears, does not cover dialogue, does not overpower; music reference [Audio 4].
[Scene Lock (Geometrically constant, no drift throughout)]
Circus Backstage: Inside a dim, cluttered circus backstage tent, ambient noise reference matches ambient sound — left side has a row of animal cages (cold light seeps through gaps), center has several stacked prop boxes and rolled-up colorful tent canvas, right side has a canvas flap exit leading outside (gaps emit night blue light) and a swaying warm yellow hanging lamp, ground is trampled wood shavings and straw. Layout locked: Two geckos surround a large prop box used as a table in the center — Chubby lies on the left side of the box (x~30%), back against the cages; Tiny climbs / hops on top or right side of the box (x~65%), most active, toe tips occasionally adhering to the box surface. Exit is at the far right of the frame.
[3D Animation Style / Visual Texture] High-quality 3D animation, fine rendering of scales and skin (visible detailed texture of each scale, skin micro-gloss and muscle movement, softness of toe pad adhesion), character expressions exaggerated and lively, rich with cartoon performance tension; night circus backstage atmosphere — cold blue ambient light primary, right-side warm yellow hanging lamp secondary, teal-and-amber warm-cool contrast, shallow depth of field, cinematic lighting, 55mm virtual lens.
[Shot Language] Handheld-style agile camera movement with real operational weight; editing rhythm driven by emotion, emotional climax points can sync with accentuated downbeats from [Audio 4]. Opening uses an establishing shot to show the scene, then each segment first uses a positioning wide shot to establish the two geckos' relative positions, then cuts into coverage shots. Moderate use of rhythmic staging: quick whip pans switching between speakers, crash-in close-ups landing on emotional climax points, fast-cut shot/reverse-shot during argument. Facial close-ups must capture eyes, vertical pupil contraction, throat movement, toe tip gripping, and mouth shapes; eye lines look at each other, never at the camera; natural blinking (including gecko-style eye licking) and eye movement. Hard cuts, no dissolves.
[Hard Locks] Only the two named geckos throughout, no third gecko, no extras, no clones/duplicates; their size difference (plump / petite) maintained every frame; dialogue spoken word-for-word (English), only one main speaker at a time (argument climax allows brief overlapping/interrupting); opening establishing shot segment has no dialogue; audio track hierarchy: amplified [Audio 3] ambient noise primary, [Audio 4] accent background music long-duration base and intensifying at key points, not covering dialogue; no subtitles / on-screen text; 3D realistic scale skin, stable, no extra limbs or ghosting.
Shot 1 (0–3 sec) · Establishing Shot (No Dialogue)
Pure environment shot, no character dialogue: camera slowly pans across the circus backstage tent interior — left side animal cages' cold light, center stacked prop boxes and rolled colorful tent canvas, right side canvas flap exit emitting night blue light and swaying warm yellow lamp, trampled wood shavings and straw on ground. This segment ambient noise volume is highest, most prominent (tent clamor, distant animal sounds, canvas flapping in wind, frame creaking), [Audio 4] accent gently fades in here as a base, clearly establishing 'this is the circus backstage'. Hard cut.
Shot 2 (3–7 sec) · Positioning + Proposal
Positioning wide shot reveals two geckos surrounding the central prop box. Hard cut. — Handheld medium shot pushes in on Tiny (voice reference [Audio 2]), it hops onto the box, toe tips audibly adhere to the surface (with crisp adhesion sound effect), speaking low and urgent: "Tonight — we break out of here!" — Reverse shot to Chubby (voice reference [Audio 1]) facial close-up, throat constricts, vertical pupils tremble, trembling voice: "B-break out? It's dangerous…"
Shot 3 (7–13 sec) · Argument Confrontation (Climax)
Fast-cut shot/reverse-shot argument, allows brief overlapping dialogue, — Tiny (voice reference [Audio 2]) jumps, tail flicks, points at Chubby, voice cracking: "You're just a coward!" — Chubby (voice reference [Audio 1]) unusually raises volume to overpower it, near tears: "Stop shouting — the guard'll hear us!" Facial close-ups: each face showing anger and panic, vertical pupils contracting, throat and tail shaking violently; at the argument peak, music and ambient noise briefly lower to highlight the two arguing voices.
Shot 4 (13–18 sec) · Turning Point + Agreement
— Chubby (voice reference [Audio 1]) suddenly musters courage, serious: "I'll block the guard. You slip out and open the door." — Whip pan to Tiny, pauses, vertical pupils relax, grins: "…That actually works!" (Music warms up, volume rises again)
Shot 5 (18–20 sec) · Freeze Frame High-Five
Slow push two-gecko side-by-side shot: both geckos extend small claws (toe pads touch) stacked together (with gentle toe pad contact sound effect), eyes look together towards the right exit, [Audio 4] accent ends with one accentuated downbeat. Tiny (voice reference [Audio 2]) whispers: "Midnight. We move." Night light from the canvas flap gap illuminates their determined faces, frame freezes on their resolute expressions, amplified ambient noise and music together fade out.
[Negative Constraints] No third gecko or any extras/clones; their sizes and appearances must not drift or face-swap; no duplicated props; no character duplicates in mirror reflections; no subtitles, no on-screen text, no text overlays; only hard cuts, no dissolves; opening establishing shot segment mus