公开提示词
Overall description
[Character] A female protagonist. Her appearance, costume, and silhouette must strictly match the female protagonist reference. She is a dark new-Chinese-style xianxia swordswoman with long hair, wide-sleeved robes, and a broad flowing skirt. She is always backlit by a huge full moon, remaining a dark silhouette with no brightly lit frontal face. Do not change the costume color or silhouette.
[Setting] Moonlit celestial palace, dark wooden walkways, dark tiled rooftops, hanging white curtains, reflective ground, sea of clouds, deep night sky, and a huge full moon. The setting consists of ancient Chinese-style palace architecture, giant vermilion columns, golden dougong brackets, upturned eaves, and suspended white drapery. A deep-blue sea of clouds and starry sky are visible in the distance.
[Visual style] 24fps, 8K ultra-high-definition, photorealistic next-generation 3D CG rendering, PBR physical materials, Lumen global illumination, volumetric lighting, dynamic motion blur, natural depth of field, cinematic high-contrast lighting, clean image with no noise. Premium new-Chinese xianxia aesthetic, UE5 cinematic rendering, cool blue moonlit ambient light contrasted against warm golden sparks, golden dark patterns, and sword-energy particles. Large areas of shadow, minimalist negative space, expressive ink-wash texture, cinematic 2.39:1 widescreen frame. Epic, cold, solitary, ethereal, and intensely exhilarating.
[Core visual effects] Black ink, golden fire, cyan-white sword energy, golden ember particles, fluid ink trailing, circular energy trajectories, crescent-shaped sword energy, and ink shockwaves. The fluid light trails contain fine floating debris and star-like particles, with soft glowing edges. Their motion remains smooth, continuous, and free of broken trailing artifacts. All destruction follows physical feedback: curtains torn by sword energy produce irregular frayed edges and fragments; wooden planks crack and splinter; ink and water spread outward after impact.
[Most important camera rules] A 30-second single take with only one camera. Absolutely no cuts, hard cuts, white flashes, black frames, jump transitions, teleportation, or reframing. All changes in framing and camera angle are completed through continuous movement by the same camera. Foreground white drapery, ink, water, and high-speed particles may only act as occlusion transitions within the same shot. When the occlusion ends, the camera must remain in the same time, motion direction, and spatial position. Camera movement is silky and steady, with subtle realistic impact vibrations at each footstep, landing, sword swing, and strike point. No random shake or loss of visual control.
Storyboard prompt
Shot 1: Complete single-take xianxia sword dance, 0s-30s
0s-2.5s: Distant opening, slow push-in
A wide low-angle horizontal shot. The camera begins about 20 meters behind the female protagonist, slowly pushing forward along the centerline of a dark wooden walkway. She faces away from the camera beneath a huge full moon, tiny as a speck of dust, her dark silhouette sharply outlined by moonlight.
She begins walking forward very slowly, arms naturally at her sides, then gradually tightens her right hand around a longsword. Her long hair and wide sleeves blow backward in the night wind; her white skirt floats slowly in a slightly low-gravity atmosphere. Each step lands about 1.5 seconds apart. The camera has approximately two pixels of vertical bounce and an extremely slight side-to-side shift, creating a realistic handheld-following feeling.
The reflective ground beneath her mirrors the full moon, her silhouette, and blurred reflections of distant golden palace structures. White hanging curtains sway slowly in the distance. The space is quiet, with only wind, moving mist, and the sound of fabric rubbing.
2.5s-5s: Forward lean, rapid sprint to the right
The same continuous camera path smoothly shifts from directly behind her toward her right-front side while accelerating forward. She suddenly leans forward, lowers her center of gravity, and sprints at high speed toward the right side of the frame.
Her right foot strikes the ground hard, creating fine cracks and splinters in the wooden planks. Her blue-black robe, long hair, and wide sleeves are violently pulled backward by acceleration. Her white skirt leaves a long mixed trail of golden fire and black ink, skimming over the reflective ground and leaving a clear reflection.
The camera develops subtle dynamic vibration in response to her acceleration, while she remains sharp and the background architecture gains strong motion parallax.
5s-7.5s: High-speed sword swing, tearing the first white curtain
She charges toward a huge white hanging curtain in the right foreground. The camera stays at her right-front side, matching her speed in a side-front tracking shot, lowered slightly for a medium low-angle view.
Without stopping her sprint, she draws her sword and completes one broad horizontal slash from back to front. The sword cuts through the air and releases a cyan-white sword-energy arc edged with gold.
The sword energy strikes the white curtain. The fabric first dents inward, then tears outward from the point of impact. It produces irregular frayed edges, scattered threads, and many fragments. White fabric scraps are pulled toward the lens by the airflow, creating natural foreground occlusion. The camera does not cut and continues following her through the dispersing fragments.
7.5s-10s: Midair rotation, circular sword energy forms
After passing through the white fabric debris, the camera continues moving toward the right-front and performs a smooth, small-radius orbit around her without abruptly changing direction.
Using the momentum of her sprint, she leaps into the air. Both feet leave the walkway as her body spins rapidly around its vertical axis. She first pulls in her arms, then extends her wide sleeves with the rotation. Her black hair forms an elegant arc and her skirt blooms outward like ink-wash petals.
The sword continuously moves with her body, forming a huge circular energy trajectory in front of her, interwoven with gold-white and cyan light. Inside the ring are ink diffusion, golden sparks, fine floating particles, and soft glowing edges. The circular sword energy sweeps over the ground, creating a bright circular reflection on the reflective surface below.
10s-12.5s: Rising before the moon, continuous crescent sword-energy strikes
The camera naturally rises with her rotation, shifting from a medium shot into a wide low-angle view. She forms a dark silhouette before the huge full moon. Crisp rim light outlines her hair, sword blade, and skirt in cold blue moonlight.
Holding the sword with both hands, she performs three violent continuous sword swings in midair:
First, a horizontal slash releases a cyan-white crescent-shaped sword energy arc.
Second, an upward diagonal slash tears through mist with its rising energy trail.
Third, a turning backhand slash releases a larger gold-and-cyan interwoven sword arc.
There can be no pause between the attacks. Her body rotation, shoulder force, waist twist, sleeve delay, and sword-energy release must form one complete causal chain. The energy passes beside her body, carrying black ink and golden sparks.
12.5s-15s: Sword energy cuts through space, camera follows the attack path
The camera briefly locks onto the sword tip, then rapidly pushes forward along the direction of the sword energy while remaining spatially connected to her. The energy cuts through several white hanging curtains ahead, slicing them in sequence and creating a shattered corridor from foreground into the distance.
White fabric fragments, gray ink, golden sparks, and cyan-white sword energy fly across the lens in intersecting paths, creating strong radial motion blur. The image can be briefly occluded by fast-moving debris, but it must never become a black frame