公开提示词
CAST:
"img1" = hero with teal spiked hair, red goggles, red scarf, torn white cape, conjuring spinning BLUE light discs.
"img2" = location.
Enemies: dozens surround him in a tight ring several bodies deep. Every enemy is one of "img3" to "img30", repeated through the crowd. No cuts inside shots.
SHOT 1 (7s) — BUILD-UP
Wide shot: hero small at center, enemies closing in from every side. Slow-motion dolly-in to his screaming face in extreme foreshortening, while the camera stays at full speed. Drift back to reveal the attack pose: arm pulled far behind, BLUE disc spinning in his fist. He whips forward and shoves the disc straight at the lens, action snapping back to full speed as it fires out of frame.
SHOT 2 (5s)
Orbit around "img3" as he dodges the disc. His body drops into slow motion, bending away as blue light grazes past, while the camera keeps normal speed, orbiting low and showing the miss from multiple sides. Dozens more enemies charge behind him.
SHOT 3 (7s)
The circle closes and dozens attack at once. Wide high-angle orbit descending into the fight: "img5" and "img7" swing and miss, the hero kicks "img9" away, elbows "img12", more bodies fly outward as "img13", "img14", "img15" and "img16" fold in to replace them. The orbit tightens until the camera is inside the brawl. The hero throws a punch directly into the camera in extreme foreshortening, ramping on impact.
SHOT 4 (5s) — FINAL BUILD-UP
Wide shot of the ring rushing him from all sides. Fast dolly-out with heavy VFX as he raises both arms, charging TWO BLUE discs. Forearms thrust toward the lens in extreme foreshortening while the body races into depth and the horde closes in. Smash into an extreme close-up of his furious face as he hurls both discs, camera violently orbiting off the release.
SHOT 5 (6s)
The discs rip away over the crowd and vanish into depth. Then a wide shot in three beats:
DETONATION — violent blue flash and shockwave blasting through the crowd, bodies thrown everywhere.
One full second of stillness.
The wave rolls toward the lens, with hand-painted anime dust and debris swallowing the frame.
SAKUGA LOCK:
Very wide lens, extreme foreshortening, limbs against the glass, body racing into depth. Dollys run along limbs and land on faces. Camera angle constantly changes: hip, worm’s-eye, high, side, close-up. Speed ramps affect either the launch or the impact/dodge, never both. Camera stays inside the fight, with bodies entering from behind the lens. Dust, debris and blue energy travel from deep background to the glass.
CAMERA STYLE:
LAGGING OPERATOR — always late, erratic and reactive. Hits land before the camera catches them. The camera jerks away from incoming bodies and recovers. Blows are thrown directly into the lens. HANDHELD only, never smooth, with constant shake, micro-corrections and violent jolts on impact.
IMPACT FRAMES:
Hardest hits flash one inverted negative frame, one normal frame, one negative frame, then normal. Deep dark blue shadows, brilliant white highlights, too fast to read clearly.
ANIMATION:
Japanese sakuga hand-drawn fight scene. One painted drawing per frame. 2020s high-budget TV anime compositing with heavy impact VFX. 24fps, animated on twos, hand-painted look, pose-to-pose timing, painterly boil, oil-brush texture and choppy stepped cadence. No interpolation, no motion blur, no morphing, no 3D and no CGI smoothness.
LIGHT:
High-contrast cel shading, deep shadows, rimlight, blue glow from the discs spilling onto faces and dust, lens flare with the sun behind. Never frontlit — always side or 3/4 backlight rimlight, golden hour, gritty, ambient occlusion.